Sunday, November 30, 2008
Saturday, November 29, 2008
Thursday, November 27, 2008
The films begins with Alfie Elkins (Caine) ending a relationship with a married woman and getting another of his affairs pregnant. The film then follows his life for a few years, documenting events that lead to the character's emotional growth starting with the birth of his child.
Watching his child grow brings out a more caring side of Alfie, including his having a health check in case of hereditary diseases, but his inability to commit to the child's mother leads to her marrying a bus conductor. The health check reveals Alfie has shadows on his lungs. This combined with being banned from seeing his son leads him to have a small breakdown.
Alfie then spends some time in a convalescence home. Here he meets Harry, who confronts him about his delusion that he is doing no harm, and Harry's wife, whom he gets pregnant in a one-night stand. The subsequent abortion is a turning point for the character and the only time other than his passing out/breakdown where he exhibits real emotion - breaking down in tears at the sight of the aborted fetus.
At the film's climax, Alfie decides to change his non-committal ways and settle down. He chooses Ruby (Shelley Winters), who is an older voluptuous and promiscuous American he met while working in taking holiday photos. Unfortunately the day he chooses to suggest this to Ruby, he finds a younger man in her bed, leaving him disheartened at the film's end and wondering “What's it all about? You know what I mean”.
Tuesday, November 25, 2008
Monday, November 24, 2008
Wednesday, November 19, 2008
Tuesday, November 18, 2008
I AM SELLING THIS DECK ON EBAY!!!! I GOT THIS FROM A FRIEND OF MINE MANY YEARS AGO! HE GREW UP WITH ALAN IN FLA. HERE'S THE LINK IF YOU WANT TO BID!http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&Item=140282903865&Category=114248null#ht_500wt_0
Gelfand moved from New York to Hollywood, Florida with his family in 1968. Alan "Ollie" Gelfand started skateboarding in 1974 after his father bought him his first skateboard. In 1976 he won the South Florida Skateboard Championships. This was the year skateboard parks started to appear with the very first one opening up in Port Orange, Florida in early 1976. In 1977 Hollywood would get its own park called Skateboard USA. This park with its imperfect walls was atypical of the first-generation skate parks and it was the over-vertical sections of the big bowl which played a significant role in Gelfand's 1977 development of the ollie. Gelfand's "no-hands aerial" was dubbed an "ollie" by friends Kevin Peterson, Craig Snyder, Jeff Duerr, and Scott Goodman using the nickname they had given Gelfand only months earlier.
During the summer of 1977 California skateboarder Stacy Peralta visited the Solid Surf Skate Park in Fort Lauderdale where he met Gelfand and observed with some disbelief his no-handed aerial. In 1978, after Peralta formed Powell Peralta with skateboard equipment manufacturer George Powell, Gelfand was recruited as the first member of the new team joining Stacy Peralta and Powell's own Ray "Bones" Rodriquez. This team later became known as the legendary Powell Peralta Bones Brigade which included other Florida skaters such asMike McGill, inventor of the 540 aerial or "McTwist" in 1984, and Rodney Mullen who during the 1980’s grew to become the major influence of today's street skating.
Another young Bones Brigade member, Tony Hawk, used the ollie during the early 1980’s as a way to achieve higher air when doing tricks. The ollie soon changed both vert and street skateboarding in revolutionary ways and most skateboard tricks are now based on this maneuver.
In the late 1990’s ollie became an official entry in the Oxford English Dictionary but the origin was listed as unknown. In February 2004 the Oxford English Dictionary rectified the listing giving Alan "Ollie" Gelfand credit as the name and originator behind the 1977 maneuver. In July 2006 the Merriam-Webster followed suit adding Gelfand and his ollie to its dictionary.
Monday, November 17, 2008
Sunday, November 16, 2008
Friday, November 14, 2008
HIP HUG-HER is one of Booker T. and MG's strongest, most consistent studio efforts. Here, the band's sound gels completely, the grooves become more insistent, the sound more varied, yet the whole is smoother and more seamless. The addition of Donald "Duck" Dunn's loose, inventive bass lines (Dunn first appeared on AND NOW!, this record's predecessor) opens up the compositions to maximum groovability, as on "Booker's Notation", and the moody "Pigmy". As always, Steve Cropper's slicing guitar, Al Jackson's spare, punchy drumming and Booker T.'s juicy, soaring organ chops do exactly what they should.